Of the four collectors mentioned above, the first was Sámuel Fenichel (1863-1893), who brought back some 2500 objects from his travels in German New Guinea in 1892 and 1893. Following his death in 1893, his work was continued by Lajos Biró (1856-1931), who between 1896 and 1901 assembled not only 200,000 zoological specimens, but also some 6,000 artefacts and more than 300 photographs. Between 1893 and 1898, at the time Fenichel and Bíró were in New Guinea, a third great collector, Rudolf Festetics (1865-1943) was also present in the region. Unlike his less privileged naturalist contemporaries, Count Festetics belonged to the nobility, and could therefore afford to take an 8-year honeymoon trip in the area of the Pacific islands. His collection of nearly 1,600 artefacts and more than 600 photographs was presented to the Hungarian National Museum on the occasion of its 100-year anniversary when the count returned from his travels. The fourth great contributor to the collection was an Italian merchant named Giovanni Bettanin, who sold the museum nearly 2000 objects of Pacific origin between 1897 and 1908.

Another means employed frequently by Western European museums in their quest for new material was to commission commercial and military ships with the gathering of ethnographic items from the regions they visited. The 200 pieces brought back to Europe by the Austro-Hungarian military ship the Panther in 1907, still found today in the Oceania Collection, stand as a testimony to the success of this technique. Oszkár Vojnics (1864-1914), another rich landowner and world traveller of the ilk of Rudolf Festetics, also collected ethnographic material during his several lengthy excursions to foreign lands. During his travels in the Pacific between 1906 and 1908, Vojnics acquired 100 objects and took 650 photographs, all of which have since found their way into the museum's collection. Another significant contributor of material of the period was the traveller Ferenc Hopp, from whose estate a number of pieces, particularly from New Zealand, were added to the collection.

After this initial period of extensive collection work had passed, the museum's holdings grew more slowly. One worthy contributor of the time was Károly Sándor Verebélyi, a pearl fisherman of Hungarian descent who donated his private collection of 180 pieces to the museum in 1928. Of all contributors to the Oceania Collection, the only professional ethnographer was the world renowned advocate of psychoanalytic ethnography, Géza Róheim (1891-1953), whose research sites included locations in Mid-Australia, the Massim Region of South-east New Guinea, and the Island of Normanby. The museum acquired 227 objects from Róheim's fieldwork in Australia in 1929 and a collection of 211 objects from his subsequent work on Normanby Island. The last significant contributor to the collection from the time between the wars was the geologist Horst von Bandat (1895-1982), who donated his collection of 135 artefacts from Western New Guinea to the museum in 1940. Minor contributors during this period included Simon Papp (1886-1970), a geologist and crude oil researcher, who presented the museum with 14 pieces collected in New Guinea between 1928 and 1929, and the archaeologist László Vértes, who in 1953 and 1954 donated two priceless wooden statues from the Easter Islands acquired on the international art market. Vértes later left the museum a third wooden statue from Maori in 1970.

Though the political reprieve of the 1970's theoretically gave the museum the opportunity to acquire material from locations outside Europe, work on the Oceania Collection had by that time virtually stagnated. The only pieces to be added in recent years have been those donated by Hungarians living in emigration in foreign countries, together with a handful of purchases and exchanges. Such additions include the gift by Sydney anthropologist László Vimláti in 1968 of several objects from Arnhemland in Northern Australia, among them two valuable bark paintings; a collection of recent Easter Island carvings donated by Montreal bacteriologist and M.D. György Nógrádi; and 360 pieces from the Tennant Creek area (Northern Territory, Australia), donated at the end of the 1970's by the gold digger László Pintér.

The curator of the collection is Dr. János Gyarmati and Anna Bíró

The scientific treatment of the most outstanding subsection of the Pacific Collection, namely, the ethnograpical materials collected by Lajos Bíró, has been most generously sponsored and supported by the de-Unger scholarship since September 2006. To view the objects processed enjoying the support of the abovementioned organization, please visit our online database.

To view the notes on the artefacts collected in New Guinea by Lajos Bíró, please click on one or more of the below:

Inventory and labels of ethnographical objects, Huon Bay, New-Guinea, Page 695, Drawing N.o. 478 (EA 4715)

Inventory and labels of ethnographical collection, 1900, Bismarck Islands, New Guinea?, Page 159., Drawing N.o. 69. (EA 4716)

Notes taken regarding photographies made during field work, 1896-1902, India, New Guinea, Ceylon, etc, Page 479, Photo N.o. 302., Map N.o. 14. (EA 4718)

Vilibáld Seemayer: Inventory of Museum für Völkerkunde Astrolabe Bay (New Guinea) objects, 1899, Berlin, Germany, Page 200., Drawing N.o. 412., Map N.o. 2. (EA 1028)
 

The collection is founded upon the material collected by János Xántus during his expedition to East and South-east Asia in 1869 and 1870, including 500 objects brought from the South-east Asian islands of Borneo, Sumatra, The Celebes, Java, The Sulus, Aru, and Timor. Meriting special mention, both for its complexity and for the high quality of its material, is an assemblage of objects purchased from the Dajaks of Borneo. Not only is the Dajak material the most complete grouping within the collection, it is also the result of nearly six months of carefully planned ethnographic field work. Material collected from the wajangs, the famous puppet plays of Java, by Ernő Zboray in the first half of the 20th century was added to the collection only after World War II, as were several pieces from a Javanese gamelan musical group.

In terms of geographic distribution, approximately half the objects in the collection originate from the two rather minor territories of Java and Borneo, each making up about one-fourth of the total Indonesian holdings. The material from Borneo provides the most complete ethnographic picture of the culture it represents, with artefacts related to lifestyle present on a broad scale. About one-third of the collection consists of weapons, including spears, krises, swords, knives, arrows, shields, and blowguns. The most valuable pieces in the collection are to be found among the assemblage of shields collected by János Xántus in Borneo and the weapons (krises and parangs) and statuary purchased from Giovanni Bettanin.

The curator of the collection is Gábor Wilhelm Ph.D.

These two bodies of material were later expanded to include artefacts from both northern and western Europe to produce a collection of truly European scope.

From a geographic perspective, the collection covers virtually every ethnic group in Europe, including both the Hungarians themselves and their distant relatives living in Siberia. Items currently number nearly 10,000, of which more than one-third is Finno-Ugric material, another one-third has been collected from the Balkan Peninsula, and the remainder from various other European cultures. The collection on Finno-Ugric peoples, established with the 19th century travels of Antal Reguly, Károly Pápai, Bernát Munkácsy, János Jankó, and József Pápay and expanded through the early 20th century collecting work of Benedek Baráthosi Balogh, constitutes the best conceived and best documented of all groups of items in the collection. Within this material, the Ob-Ugric, Finnish, and Estonian collections each offer a particularly complete perspective on the ethnic groups they represent, and are thus of significance on an international scale.

The second major component of the collection consists of objects collected from the Balkan Peninsula and from the South Slavic peoples once belonging to the Austrian Hungarian Monarchy. Most of these artefacts are pieces of decorative embroidery removed from various articles of clothing, though a number of musical instruments, metal objects, leather belts, jewellery, and ceramic pieces are also included. The best-represented ethnic groups in the collection are the Croatians and Albanians, with some 1000 and 300 items, respectively.

Compared to the Finno-Ugric and Balkan materials, the Northern and Western European collections are somewhat slighter in volume. Most objects from these areas were added to the collection without thought to conscious development of the collection as either opportune purchases or donations.

The curators of the collection is Lilla Dóra Kövesdi

Between the year 1880 and the onset of the Second World War, conscious efforts at expanding the museum's holdings placed what were termed "related peoples" in the focal point of field work pursued in non-Hungarian locations. In Asian countries to which this concept did not apply, field work was limited to the collection of a few representative objects of limited size. For "related peoples," however, the concept targeted acquisition of a full complement of ethnographic material, in the hope of eventually coming to a deeper understanding of artefacts collected domestically. The term "related peoples" was understood to include four sub-categories: the Finno-Ugric, Turkic-Tartar, Caucasian, and Iranian ethnic groups. As a result of this work, by the end of the 19th century, the museum's special collection on Ural-Altaic-Caucasian peoples had grown to become the largest of its kind in Europe outside Russia.

Of particular interest within the collection are the Zichy collection on Turkestan; the Amur and Ajnu material collected by Benedek Baráthosi Balogh; Vilmos Diószegi's Mongolian and Siberian shaman collection; a group of objects brought from Turkey by Gyula Mészáros; and items related to Mongolian lamas contributed by Hans Leder. Quantitatively, the largest subgroups are those comprising items from China and Japan, India, the Amur region, Mongolia, Turkey, the Caucasus Mountains, and Turkestan.

The curator of the collection is Gábor Wilhelm Ph.D.

More than half the collection was assembled between 1874 and the end of World War I through six large-scale acquisitions: the donation in 1889 by the hunter and explorer Count Sámuel Teleki of 338 objects collected in East Africa; the 1,520 artefacts purchased by the museum in 1898 from the material of the Ethnographic Mission Exhibition; 2,600 East African artefacts purchased from the collector and dealer Baron Pál Bornemissza between 1901 and 1905; the gift of 391 pieces from the Belgian Congo donated by the world famous British Museum collector/ethnographer Emil Torday in 1910; 189 objects primarily of West African origin sold to the museum by the art dealer Ferenc Pázman in 1914; and the donation by the traveller Jenő Kalmár in 1916 of 223 pieces gathered in Cameroon. During the period between the wars, the largest gift received by the museum included 680 pieces collected by Dr. Rudof Fuszek during several decades spent in Liberia.

Since the 1950's additions to the collection have been made primarily through purchase, rather than donation. In terms of volume, acquisitions meriting special mention include a collection of 192 Coptic crosses from Ethiopia, a group of 70 artefacts, primarily figurines, collected in the Congo, 246 objects chiefly of West African origin purchased from the estate of István Rudnyánszky, a gift of 30 pieces of northern African pottery from Edit Szávay, and the donation of 70 objects of everyday use from the collectors Géza Füssi Nagy and Mihály Sárkány, who participated in a research trip organised to commemorate the one hundredth anniversary of the voyage of Sámuel Teleki.

In geographic terms, the territories of East Africa have contributed the largest proportion of material (more than one-third of the collection), while the largest thematic group is that of weapons (occupying a full one-fifth of the collection).

The curator of the collection is Edina Földessy Ph.D.

The initial period of the collection – between 1872 and 1918 – was closely intertwined with various institutions of the Austro-Hungarian Monarchy in two ways. During this era, Hungary, enjoying partial independence as a member state of the Monarchy, possessed broader international relations compared to other Central and Eastern European countries, partly through the Monarchy's diplomatic networks and partly via the global voyages of the Monarchy's naval vessels. The second connection was with the Hofmuseum in Vienna, maintained through study trips, joint collections, artefact exchanges, and acquisitions facilitated by the Viennese museum. This had a profound impact on collecting methodologies and resulted in large quantities of objects arriving from numerous countries.

Nearly one-third of the current collection—around 3,000 objects—arrived during this period, particularly after 1893 (2,640 objects), when the Ethnographic Department relocated to a new venue, received a new director, and, most importantly, was granted a dedicated acquisition budget for the first time. The most significant expansions of this era came from the purchase of over 400 objects from various American countries via the so-called "Ethnographic Mission" in 1898, and the acquisition of 800 Mexican artefacts bought from the German collector Wilhelm Bauer in 1903.

Following the dissolution of the Austro-Hungarian Monarchy, the collection's development virtually ground to a halt due to decades of national isolation. A notable exception from this period is a North American Plains Indian costume ensemble, which came into the museum’s possession in 1937.

Thanks to a slow political thaw in the 1960s, Hungary re-established diplomatic ties with several Latin American countries. This enabled the museum to acquire objects collected by Hungarians travelling there on official missions. Additionally, it allowed the museum to connect with Hungarian emigrés and institutions in the West, paving the way for systematic, fieldwork-based collecting. Chief among these researchers was Lajos Boglár (1929–2004), curator of the America Collection for some three decades. He conducted fieldwork among the Nambikwara of Brazil in 1959, the Piaroa of Venezuela in 1967–1968 and 1974, the Guarani of Brazil in the 1980s, and later among the Wayana of French Guiana. Over a career spanning more than four decades, Boglár contributed around 700 Amazonian objects to the museum, with a further 425 pieces added to the collection from his estate after his death.

In line with similar European collections, the Museum of Ethnography’s American Collection has integrated both ethnographic objects and archaeological finds since its inception, resulting in two major sub-collections: ethnographic (70%) and archaeological (30%).

Geographically, South and Central America are represented in roughly equal measure (approximately 3,000 objects each). Within Central America, Mexico stands out with around 2,900 archaeological and ethnographic items that trace the entire history of the collection. The largest and most significant portion of the South American material originates from Amazonia, a corpus further enriched in recent years by a collection of around 400 pieces from the Belgian researcher Gustaaf Verswijver.

Since 2016, the scope of the American Collection has expanded to include items from the "Danube Indians", the group responsible for establishing Native American-inspired games in Hungary.

The curators of the collection are György Szeljak Ph.D. (ethnography) and János Gyarmati Ph.D. (archeology).